老舍笔下的鼓书艺人，喉头翻滚着千言万语，却终被沉重现实压成一声叹息；艾青化身为鸟，甘愿以嘶哑的喉咙刺破长夜，只为向土地倾注赤子对家国的深沉热爱；而穆旦诗中的“我”则用“带血的手”，将个体的痛楚绘成民族新生的图腾。在时代的激流中，个体的觉醒与担当，始终与国家命运血肉相连。唯有每一个“我”都肩负起“我们”的责任，方能在沉默中孕育呐喊，于伤痕处见证重生，最终让微小的浪花汇聚成推动民族前行的磅礴浪潮。
The drum script artist in Lao She's works, with a thousand words rolling in his throat, is finally crushed into a sigh by the heavy reality; Ai Qing transformed into a bird, willing to pierce the long night with her hoarse throat, just to pour her deep love for her homeland into the land; And in Mu Dan's poetry, '; I” Then use“ Bloody hands; To depict the individual's pain as a totem of the nation's rebirth. In the torrent of the times, the awakening and responsibility of individuals are always closely linked to the fate of the country. Only every '; I” Everyone shoulders the responsibility; We; Only with a sense of responsibility can we nurture cries in silence, witness rebirth at the scars, and ultimately gather tiny waves into a magnificent wave that propels the nation forward.
身处压迫的时代，我们想发声。老舍笔下的鼓书艺人方宝庆在面对受苦受难的孩子们时，“心里直翻腾，开不了口”，这正是个人心灵在历史巨大创伤面前最真实的状态。这“失语”不是怯懦或退缩，也不是无奈或麻痹，而是个体在无声中咀嚼伤痛、确认自身的隐秘过程。正如谭嗣同在变法失败后拒绝逃亡，以沉默的鲜血唤醒国民的反抗；又如京剧大师梅兰芳在抗战时期蓄须明志，坚守艺术家的气节。“乱世之音怨以怒”，这份喑哑，是文化血脉被强行截断时的无声挣扎。
In an era of oppression, we want to speak out. When facing the suffering children, the drum script artist Fang Baoqing, depicted by Lao She, said; My heart is pounding and I can't speak; This is the most authentic state of an individual's soul in the face of the enormous trauma of history. This; Aphasia; It's not cowardice or withdrawal, nor helplessness or paralysis, but rather the individual's silent process of chewing pain and confirming their own secrets. Just as Tan Sitong refused to flee after the failure of the reform, awakening the resistance of the people with silent blood; For example, during the Anti Japanese War, the master of Peking Opera, Mei Lanfang, had a beard and a clear will to uphold the artist's integrity. “ The sound of chaos is filled with anger and resentment; This hoarseness is a silent struggle when the cultural bloodline is forcibly cut off.
身处抗争的时代，我们要发声。鲁迅曾激昂写下：“中国者，中国人之中国。可容外族之研究，不容外族之探险；可容外族之赞叹，不容外族之觊觎者也。”抗争的本质是在困境中凿出生路，在沉默中爆发惊雷。“正义是杀不完的，因为真理永远存在！”我们听到闻一多那掷地有声的宣讲，它划破了暗夜的阴霾。我们看到，萧红在《生死场》中描绘的东北农民、路翎在《财主底儿女们》中刻画的青年知识分子，都以各自的方式加入这场嘶哑的合唱，在荒芜的大地上，挑起时代的重任。发自生命深处的呐喊，唤醒了中华民族沉睡已久的民族精神。
In the era of resistance, we must speak out. Lu Xun once passionately wrote:; China is the China of the Chinese. Can accommodate the research of foreign tribes, not allow exploration by foreign tribes; It can tolerate the admiration of foreign tribes, but it cannot tolerate the covetousness of foreign tribes. ” The essence of resistance is to carve out a path in adversity and explode thunder in silence. “ Justice is endless, because truth always exists! ” We heard Wen Yiduo's resounding preaching, which shattered the darkness of the night. We see that the Northeast farmers depicted by Xiao Hong in "The Field of Life and Death" and the young intellectuals portrayed by Lu Ling in "The Wealthy Sons and Daughters" have joined this hoarse chorus in their own ways, shouldering the heavy responsibility of the times on the barren land. The cry from the depths of life has awakened the long dormant national spirit of the Chinese nation.
身处崛起的时代，我们能发声。一声出而万音和，高声歌唱不是对苦难的蔑视，而是对团结的自信和对永不停息的奋斗的向往。当我们牵起穆旦笔下那“带血的手”，就有可能跨越一路的颠沛流离，望见民族复兴的未来。试看，昔日“跳水皇后”郭晶晶担任巴黎奥运会跳水比赛裁判长，这一惊艳亮相的背后，是她深知要获得公平，国际裁判席上必须有中国声音；导演饺子坚持以中国传统文化为电影题材，终以《哪吒》系列电影书写了中国动画传奇，让世界电影市场看到中国文化的独特魅力。当战争的烽火成为历史，新时代的角逐已在科技革新、经济博弈与文化交融中全面展开。国家的独立自主与繁荣昌盛，正是我们每个中国人奋斗的意义所在。身处百年未有之大变局，吾辈青年更该发出自己的声音，使其汇聚成流，在新时代发出更为强劲的民族之声！
In the era of rise, we can speak out. With one sound, ten thousand voices harmonize. Singing loudly is not a contempt for suffering, but a confidence in unity and a longing for endless struggle. When we hold onto Mu Dan's pen; Bloody hands; It is possible to overcome the ups and downs along the way and see the future of national rejuvenation. Try it out, from the past; Diving Queen” Guo Jingjing served as the chief judge of the diving competition at the Paris Olympics. Behind her stunning appearance was her deep understanding that in order to achieve fairness, there must be a Chinese voice on the international judging bench; Director Jiao Zi insisted on using traditional Chinese culture as the theme of his films, and ultimately wrote the legend of Chinese animation with the "Ne Zha" series of films, showing the unique charm of Chinese culture to the world film market. When the flames of war become history, the competition of the new era has fully unfolded in technological innovation, economic games, and cultural integration. The independence, independence and prosperity of the country are what every Chinese is striving for. Amidst the unprecedented changes of a century, our youth should speak out their voices, gather them into a stream, and make a stronger national voice in the new era!
那喑哑长歌已汇入民族血脉奔涌的江河，它从不曾真正停歇，而是在每一代人心中激荡回响。让我们以青春之手接过这“带血的拥抱”，让沉默中积蓄的伟力、喑哑中迸发的勇气，为中华文明生生不息的壮丽画卷续写不朽华章。赤子之喉发出的歌声回荡在中国的每一寸山河，那将是民族魂在永恒时空里最嘹亮的回响！（河北省唐山一中 邵雨薇）
That hoarse long song has flowed into the surging river of national blood, never truly stopping, but resonating in the hearts of every generation. Let us take this with the hand of youth; Embracing with blood; Let the power accumulated in silence and the courage burst forth in silence continue to write immortal chapters for the magnificent picture of Chinese civilization's endless vitality. The singing from the throat of the Red Child echoes through every inch of China's mountains and rivers, and it will be the most resounding echo of the national soul in eternal time and space!